1510 Tudor Gown Grey

Period Correct Clothing to Fit Your Style… 

  • Tudor Gown of cotton jacquard and faux fur
  • Cotton twill lining
  • Petticoat of shot silk
  • Machine sewn inner seams
  • Hand finished (hems, edging, and eyelets)
  • Cotton was used for comfort and washability- this gets worn when it is much hotter than old England
  • Minimal boning in open channels so it can be removed for machine washing
  • This project was a less formal Tudor Gown I made with patterns drafted by combining the Tudor Tailor underkirtle and my body block
  • This is one project for my A&S 50 Challenge, 50 things from my stash, since all the fabrics aside from the fur were already in my stash…
  • 2017 Update- I added fur trim all around (tacked on for washing) and made a fur lined wool partlet which I LOVE- so soft and snuggly!

Photo updates:

Photo by Baron Bardulf Rauen

Photo by Baron Bardulf Rauen

Photo by Baron Bardulf Rauen

Photo by Baron Bardulf Rauen

Grey Tudor with swords

Photography by Baron Bardulf Rauen

Tudor gowns

Photography by Baron Bardulf Rauen

Inspiration for early Tudor Gown with narrow fur cuff sleeves-

1500-Elizabeth_of_York_from_Kings_and_Queens_of_England

1500 Elizabeth of York

Jean Hey (Master of Moulins). Portrait of Margaret of Austria

Jean Hey (Master of Moulins). Portrait of Margaret of Austria

Inspiration for fur lined partlet-

c1550-ladies-wearing-outdoor-clothing-of-brown-and-black-kirtles-and-fur-lined-surcoats

c1550-ladies-wearing-outdoor-clothing-of-brown-and-black-kirtles-and-fur-lined-surcoats

fur-partlet full coverage

fur-partlet full coverage

st-barbara-wings-of-tryptich-by-master-of-frankfurt-1510-1520

st-barbara-wings-of-tryptich-by-master-of-frankfurt-1510-1520

Venetian 1500 Gamurra

cropped-DSC02182a.jpg 

Portrait profile

Photography by Baron Bardulf Rauen

This is my new undergown for 1500 Venetian, created for Atlantian Twelfth Night and also for the Historically Sew Monthly January challenge…

The Challenge: Foundations- January

Fabric: Chemise of cotton voile, Gamurra of green and gold jacquard linen and rayon blend, bodice lined in 2 layers of cotton canvas, eyelets sewn with linen thread

Pattern: Drafted and refitted from my fitted body block to an under bust bodice, sleeves cut down from my sleeve sloper

Year: 1500 venice

Notions: gold braid trim,  gold ribbons (replacing now with silk and points), black ribbon for mourning, luceted lacing cord 

How historically accurate is it? As close to the portraits as I could get with little evidence from extant garments other than chemises, each decision regarding construction and cut were done after comparing multiple images,  my neckline is not quite as broad but that was based on coverage and support needed in the bodice which is unboned but is the foundation garment

Hours to complete: Total: 32   (Cutting and fitting: 6, Sewing: 12, Eyelets: 14)

First worn: Atlantian Kingdom Twelfth Night, January 10, 2015

Total cost:$102   fabric and supplies from my stash other than new silk ribbon and aigrets just acquired to add on,  estimate $24 voile, $48 linen blend jacquard (yay for half price remnant bin), trim and thread unknown,  when added $26 silk ribbons and $4 aiglets

venetian full length left

Photography by Baron Bardulf Rauen

And the few construction pics that I took…

Cutting out sleeves after bodice back got a centered motif

Cutting out sleeves after bodice back got a centered motif

Creating eyelets on bodice

Creating eyelets on bodice

Closer view of eyelet construction

Closer view of eyelet construction

Trim and shoulder eyelets

Trim and shoulder eyelets

First stage done, time to finish sleeves

First stage done, time to finish sleeves

And the inspiration images:

Squared neckline but higher than some, love the ribbon detail and the black ribbon for mourning, her necklace also inspired one of mine

young venetian woman Durer

Photography by Baron Bardulf Rauen

Squared neckline and more ribbon and sleeve detail, fine gold work on edge of chemise

Supposed portrait of Bianca Sforza,an illegitimate daughter of Lodovico il Moro,c.1500

Photography by Baron Bardulf Rauen

Squared neckline with longer bodice, could be front closing with ribbon ties as on sleeves, looped and draped necklace, headband with stone

Leonardo da Vinci, La Belle Ferroniere, 1490.

Leonardo da Vinci, La Belle Ferroniere, 1490.

Ludovica Tornabuoni, by Domenico Ghirlandaio

Photography by Baron Bardulf Rauen

Rounded neckline with short bodice, both layers front closing, undergown closing edge to edge, overgown closing in wide V to show undergown, interesting partially sewn sleeves on overgown

 

Upping my game challenge continues…

This year on my annual “slow down time to go camping for 2 weeks mostly immersed in the past and gaining great campfire therapy in bardic circles” I was inspired…  I am inspired every year and want to do something new- I am also disappointed every year that I haven’t gotten to the things I would have liked to have had done before that year.  So, this year I applied my planner brain to my hobby and made some simple objectives.  For those of you who have been through my trainings you know that objectives are measurable, specific, and reasonable.  They differ from goals which are broader things you want by breaking them down into the things to do to get what you want.  Now, before anyone lambastes me for applying logic to my fun life and thus making it no fun, I assure you that I started this with the belief that getting things done will improve my overall enjoyment of my hobby and create less of the disappointment next year with not having projects done that I wanted done.  And in tiny baby steps it already is having that effect!  3 months in and I am loving the results…in fact they have started exceeding expectations… but I am getting ahead of myself.

What started with a goal of “Upping my game” was focused by the fact that I most enjoy beautiful garb and song and wanted to get things done and expand my repertoire in both areas.  So, I created two simple objectives-

1. Finish one piece of garb each month

2. Memorize a new song each month- prepped for performance

The results so far?  With August being only half a month after I got back I still got a set done that month and have been a little ahead of myself since then.  I have also teetered on the one piece of garb being pre-1600 or not since I do other periods and have deadlines for some of those pieces… Currently my freshly memorized songs have been all by Heather Dale- partly what drifted to the front and wanted to be learned with a special request deadline thrown in and a museum program deadline.  I though that as I go I should keep track of what has been the result f the challenge so far.

August- finished Geometric Tunic with hand felled seams, memorized “My Only My Own” by Heather Dale, posted video with both for the demanding daughter…

September- finished Viking apron dress with hand felled seams, memorized “Lily Maid” by Heather Dale and “The Old Duke” as a marriage proposal request for a friend

October- cut and started a rain cloak that I’ve been kicking myself for 5 years not having done, got sidetracked by fixing a regency gown and making a Civil War era Mourning Gown for Halloween, memorized “Skeleton Woman” by Heather Dale for use at our Tales and Treats program with ghost stories and other ghostly/bonesy songs

Not quite Halloween yet, but I was afraid I’d start losing track of these.  Some will overlap with my A&S 50 challenges as I start doing clothiers workshops but more modern projects are coming up on the event deadline radar…

Regency Pelisse for a Nov presentation, Victorian winter wear for Victorian Holiday Faire, early Italian Ren for Twelfth night, the double layer Viking Coat I’ve been meaning to make for COLD, the portrait reproduction fur lined early Tudor gown that keeps me up at night…

 

Recreating a webpage and musing on personal history

I have just managed to upload my historical sewing portfolio from my previous website… and it has made me realize how much more I have gotten done since then!  Which is cool, seeing productivity in retrospect.  Of course, that also means I need to track down pictures and get those other projects online.  Part of this effort was to share and catalog my A&S 50 challenges and most of my projects overlap one or both of those.  It was also to document projects and volunteering for my peers who are many miles away so that they can keep up with what I am wondering around doing way up North…

Anyway, look for many more updates to come and new posts, maybe some musing posts about the past projects since I previously listed them mainly as portfolio for commissions and don’t really do much of that anymore, far too busy with regular work.  It keeps me mostly out of trouble.